![]() The funeral service followed at 11:00 a.m. NW, North Canton, OH 44720) and December 7 from 10:00 to 11:00 a.m. ![]() at Reed Funeral Home North Canton Chapel (801 Pittsburg Ave. Friends were received December 6 from 5:00 to 7:00 p.m. He retired in 1990.Ĭondolences may be sent to the family by visiting Thomas McFarren, retired Elder, died December 1. Ferrell served Bergholz, Dillonvale/Rayland, McDonald, Steubenville: LaBelle View, Youngstown: Mahoning, Canton: Dueber, New Franklin, and Canton: Trinity United Methodist churches. Ferrell and many grandchildren and great-grandchildren. at Schneeberger Funeral Home (2222 Fulton Rd. Calling hours were held December 12 at 11:00 a.m. Memorial contributions may be made to World Gospel Mission.Ĭondolences may be sent to the family by visiting December 2023Įvelyn Ferrell, clergy spouse, died December 5. Ferrell served Bergholz, Dillonvale/Rayland, McDonald, Steubenville: LaBelle View, Youngstown: Mahoning, Canton: Dueber, New Franklin, and Canton: Trinity UMCs. Ferrell is survived by his grandchildren and great-grandchildren. NW, Canton, OH 44709) with a funeral service following. Richard Ferrell, retired Elder, died January 17. Calling hours were held January 22 at 10:00 a.m. ![]() He retired in 1990 and died in 1996.Ĭondolences may be sent to the family by visiting January 2024 Moore served Galena, Collins West Hartland, Rocky River, Chesterland Trinity, and South Arlington United Methodist Churches. Moore is survived by children Terry (Carol) Moore, Tanya (Steve) Whitaker, Melody Lee, Mark (Linda) Moore six grandchildren and five great-grandchildren. A small memorial service will be held later this spring. Miriam Moore, surviving spouse of the Rev. I create original works in acrylic and provide prints of original works.Ĭolor-driven, whimsical paintings and accessories.To submit the obituary of an EOC clergy, clergy spouse, or surviving spouse, family should contact Melissa McGee, Executive Secretary to the Bishop, by phone at (330) 499-3972 ext. Oil, acrylic and resin paintings, as well as prints Printed goods, apparel, paper goods, custom graphics, fine art, accessoriesįound Ephemera Art creates thoughtful, upcycled mixed media work using only found papers and objects, giving the otherwise discarded a new life in a new context.Ĭhalk Art, Hand-lettering, Murals & SignageĬontemporary abstract paintings, home decor & and apparel that envoke smiles and good thoughts Hammered bottlecap pendants, recycled metal art, Zendala drawings, Tie-dye art, Rock art Mixed media painting, printmaking, watercolors Metalsmithing and handmade wire wrapped jewelry Handcrafted Adornments for the Warrior Within Oil and Acrylic Paintings of everyday settings and situations Whidbey Island, Washington, United States Sculpture & gifts made of wood and a touch of chaos.Ībstract and landscape paintings and photography Original paintings, prints and cards from this. One-of-a-kind necklaces, bracelets & earrings created from a variety of gemstones, gold, silver, CZ, wood, leather and moreĪmelia Sherritt creates unique collage art out of 100% upcycled wine foil capsules. ![]() Multi media, abstract floral and landscape paintings Reclaimed Art to include paintings, wooden toys and sculptures.įine art Photography, Resin Art, Acrylic Pouring Performance & Circus Arts, Graphic Design, Illustration, Oil Painting, 3D Design, Digital Photo Manipulations and just about anything else.Īcrylic painting, stationary and coloring booksĬeramic and mixed media figurative sculpture Mixed media paintings, assemblages, arashi shibori silk scarvesįine art drone photos from Austin, Texas. Handmade sterling silver & gemstone jewelry Visionary, Abstract, Geometric, Vibrant, Playful, Visual Works in oil, acrylic and mixed media painting, block print, fabric, clothing.ĢD wall constructions, sculpture, installation, public artĪbstract watermedia collage influenced by Midcentury Modern & Japanese art. I work in encaustic medium to create work that speaks to remembered moments through selected bits and pieces from the natural world, usually with a reference to trees. Sculpture, Photography, Public Art, Installation ArtĪcrylic, Oil and Resin Paintings, Landscape, Architectural and Abstract The Particle Track Series are highly colorful, energetic, lively abstractions based on the imagery of high speed sub-atomic particle collisions gathered at the high energy particle physics facilities. Multi-media painter, bringing color and whimsy to collectors!
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![]() (the passcode is abcDefGhiJKLMnopQRSTuVWxYz in this case. When prompted for a password, paste the scrambled passcode (the part of the URL after "?pwd=") in the box and click Join.The box will automatically show the Meeting ID part of the URL In Meeting ID or Personal Link ID box, paste the whole URL and click Join (something like e.g., ).The URL has 2 parts in it: Meeting ID and scrambled passcode.Open the Zoom app ( learn how to download and sign into Zoom app).In that incognito browser window, paste the Zoom Meeting URL (something like e.g., ).Use the keyboard shortcut to open an incognito/private browser window:.Make sure you have the Zoom app on your device.Click on the Open or Allow button or the equivalent button in your web browser. Assuming that you installed the Zoom desktop client, your browser prompts you to open it. You must have the Zoom app installed before using these methods Method 1 Copy and paste the meeting URL into the address bar of your web browser and press the Enter key. You can click the Mute/Unmute and Start/Stop video buttons in the bottom left corner to switch them on.If you have a Zoom meeting link/url but need to join the Zoom directly from the Zoom App, here's how: You can adjust your audio and video using the buttons at the bottom left corner. To join the meeting, click Join audio at the bottom of the screen and then click Join with computer audio in the window that opens. If you are a logged in to Zoom as a user, you do not need to enter your name separately. Accept the terms of use, type your full name as the name of participant and then click Join. You will see a page suggesting that you download the Zoom application, but you can join the meeting with the browser by clicking the Join from your browser link at the bottom of the window. If you participate using the browser version, open the link in Google Chrome. If you have not downloaded the application in advance, the browser suggests that you download the application. The link opens a browser window that allows you to open the meeting by clicking Open Zoom. To participate in the actual meeting, click the participation link you have received. Use the Test Speak & Microphone in the test room to test the sound and that the microphone is working. If you have not used Zoom yet, you should test it at. You can find it near the blue SIGN UP, ITS FREE button in the upper-right corner of the page. Click the JOIN A MEETING button on the top-right. Type into your browsers address bar, and hit Enter or Return on your keyboard. Check Remember my choice for zoommtg links to skip this step in the future. Open the Zoom website in your internet browser. If this is your first time joining from Firefox, you might be asked to open Zoom or the Zoom installer package. You can install the Zoom client software on your personal computer or mobile device at. Type in the meeting ID provided by the host/organizer. You can install it on Mac computers yourself from the Managed Software Center ( see the instructions). Zoom is installed on all Windows and Cubbli computers in the university’s centralised administration. The examples below are shown using Mozilla Firefox and Google Chrome. This process is easy to complete on all commonly used browsers. ![]() Zoom’s instructions site has a table comparing the different client software versions (computers, mobile devices, browser version). Go to and Enter the Meeting ID that you have been provided with in the appropriate field and click ‘Join’.The application is available in Google Play and in Apple Store. You can also download the ZOOM Cloud Meetings mobile application that allows you to participate in Zoom meetings using your mobile device. You should note, however, that the browser version of Zoom has limited functionalities and that it works best in Google Chrome. You can, however, also participate in a Zoom meeting using the browser without the Zoom application. Join a meeting from an H.323/SIP room system. We recommend using the Zoom application for participating in meetings. By clicking 'Join', you agree to our Terms of Services and Privacy Statement.In practice, you can use either to attend meetings, but the comfort of using them may vary in some situations. ![]() You can use Zoom on your browser or on separately installed client software. The extensive instructions give more details on how to make settings that are useful to a basic user as well. If you want to arrange and host meetings, read the more comprehensive instructions here. These instructions are intended for the participants of Zoom video meetings. These individuals find self-worth in being needed by those they value and (unconsciously) seek to get their own needs met in return. For each, below the surface, the giving is not an altruistic kind of helpfulness. It also fits the pattern of the classic “codependent”-the person who becomes addicted to supporting and enabling an addict. Jung described the anima as being like a “glamorous, possessive, moody, and sentimental seductress.” Related to the Great Mother or the Great Goddess archetypes, the archetypal feminine principle represents fundamental human ideas about the all-powerful, numinous woman who provides vital nourishment, and displays the feminine qualities of warmth, receptivity, softness, emotional sensitivity, and openness to the other.Īn element of this Two archetype can also be found in the caricature of the “Jewish mother” who is superficially selfless as a way to exercise emotional control over everyone close to her. ![]() Twos can be of either gender, of course, but the Type Two archetype mirrors the Jungian concept of “anima,” or the inner feminine. This strategy also provides a way to try to get others to take care of you while still defending yourself against the pain of having someone important reject a direct request to meet a need. The drive to win others’ approval through indirect methods, such as seduction and strategic giving, is a way to obtain emotional and material support without having to ask for it. ![]() Type Two represents the archetype of the person who seeks to please others as a way to evoke affection. Sadly, only ten days after a landmark live session at the Village Vanguard in June 1961, LaFaro was killed in an auto accident - and the shattered Evans went into seclusion for almost a year. With this group, Evans became a star - and there was even talk about a recording with Davis involving the entire trio. Evans' first working trio turned out to be his most celebrated, combining forces with the astounding young bassist Scott LaFaro and drummer Paul Motian in three-way telepathic trialogues. Although the original release gave composition credit of "Blue in Green" to Davis, Evans claimed he wrote it entirely, based on two chords suggested by Davis (nowadays, they receive co-credit).Įvans returned to the scene as a leader in December 1958 with the album Everybody Digs Bill Evans, which included the famous "Peace Piece," a haunting vamp for solo piano that sounds like a long-lost Satie Gymnopédie. Though Evans left the band that autumn, exhausted by pressured expectations and anxious to form his own group, he was deeply involved in the planning and execution of Davis' epochal Kind of Blue album in 1959, contributing ideas about mood, structure, and modal improvisation, and collaborating on several of the compositions. In spring 1958, Evans began an eight-month gig with the Miles Davis Sextet, where he exerted a powerful influence upon the willful yet ever-searching leader. By 1956, he had already recorded his first album as a leader for Riverside, New Jazz Conceptions, still enthralled by the bop style of Bud Powell but also unveiling what was to become his best-known composition, "Waltz for Debby," which he wrote while still in the Army. After three years in the service, he arrived in New York in 1954, playing in Tony Scott's quartet and undertaking postgraduate studies at Mannes College, where he encountered composer George Russell and his modal jazz theories. Graduating as a piano major in 1950, he started to tour with the Herbie Fields band, but the draft soon beckoned, and Evans was placed in the Fifth Army Band near Chicago. With the passage of time, Evans has become an entire school unto himself for pianists and a singular mood for listeners, leaving his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, and Brad Mehldau.īorn and raised in New Jersey, Evans was recruited for Southeastern Louisiana University on a flute scholarship, where he received a thorough background in theory, played in the marching band, and also led his football team to a league championship as a quarterback. He earned accolades including Grammy Awards for 1968's At the Montreux Jazz Festival, 1970's Alone, 1971's The Bill Evans Album, and 1979's We Will Meet Again. ![]() ![]() Following LaFaro's tragic death in 1961, Evans eventually forged a lasting creative partnership with bassist Eddie Gomez and continued to perform, working with drummers Jack DeJohnette and Marty Morell. After gaining widespread attention as a member of Miles Davis' late-'50s group, Evans garnered further acclaim for his own work, leading a celebrated trio with bassist Scott LaFaro and drummer Paul Motian and recording classic albums like 1960's Portrait in Jazz, 1961's At the Village Vanguard, and 1962's Waltz for Debby, the latter of which borrowed its title from the pianist's best-known composition. Along with his keen technical ability and nuanced sense of harmony, Evans worked to democratize the role of the bassist and drummer in his succession of piano trios, encouraging greater contrapuntal interplay. Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill… Read Full Bio ↴ Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill Evans brought an introverted, relaxed, and lyrical classical sensibility into jazz. 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The movement can be confusing on your first playthrough as the locations look very similar due to dirt, but its movement feels similar to origins. It has this function where melee weapons one tap till round 7 or 8 and that makes first playthroughs real fun. Rave has another great setup being i think a 90s forest, which isn't my ideal location but they make it work. The easter egg is very intimidating on your first attempt but every easter egg feels that way, but the alien is classic. To start off Zombies in Spaceland is great, it has a killer soundtrack with the Dj integration, the cutscene was good, and the map layout is very stylish and traversable. Infinite warfare i think is amazing zombies, because, with that game, even the bad maps still have great things. You could make a "stealth" camo class or a melee class or a defence class or whatever you like really. Loadouts can be changed so much and only a couple of things are crutch (Shellshock is almost useless without Sustain Zone for example). But generally I like all the easter eggs except chapter 2 of DLC 3 - invisible freakin' zombies feels unfair, especially when you have to spend a huge amount of jolts on EE steps as well, when you have to spend zero on the other two chapters that don't have invisible zombies.įine imo. DLC1 has some "artificial" difficulty added in that really pisses me off, but seems like most people deal with it OK so I could just be trash lol. Personally I like DLC 3, although I was really slow to start with it until I understood things and can see why others don't like it.Īgain, good in my opinion. I have no issue with replayability at the moment as I'm trying to get through hidden challenges, and feck me are some difficult. Heligoland DLC1) and try to explain the Geistkraft system which powers specials, weapons, mystery box etc. I prefer the less cartoony aesthetic compared to Treyarch zombies and love how they tried to ground the lore (obviously still nuts compared to real life) in historical accuracy/references (i.e. WW2 zombies gets waaaay too much flak on here I think, personally I really enjoy it (only game and mode I play at the moment). ![]() Theres so much variety and depth within this system which i enjoy a lot. more ammo, another weapon slot, extra headahot damage. The loadouts are incredible - you get to choose your specialist ability the three 'mods' which are perma buffs e.g. Really satisfying to use, especially the semi auto rifles. The weapons are all useful imo and have a lot of weight to them. This is the strongest part of WW2 for me. PaP is a simple process in each map, however (especially dlc 4) the wonder weapons are always quest based which (while fun to do) does take a bit of dedication to set up ![]() The survival maps (house, dlc 3) have a really quick setup and are good to get your teeth into. They make sense logically, your progress is clearly labelled in the beginning, and it plays some fantastic musical stingers as you progress through which makes it feel really rewarding.ĭepends on the map. The release map's casual path and dlc 2s quest are standouts. Honestly - some of the best EEs we've ever seen. If you really dig that though i think you'll like them. None of the dlc (other than maybe 2) are better than the release map - having said that the release map is in my top 5 of all time. Simply go to /r/CODZombies or set the Redesign as your default experience in preferences. ![]() Redesignįor the best /r/CODZombies experience, consider using the Reddit Redesign! The Moderators are not affiliated with, nor are their actions influenced, encouraged, or condoned by Activision-Blizzard or their subsidiaries. The Moderators reserve the right to remove any submission deemed detrimental to the subreddit. r/CODZombies is the developer-supported, community-run subreddit for the Call of Duty Zombies community.Ĭall of Duty Zombies is a first-person shooter co-op mode developed by Treyarch, Infinity Ward, and Sledgehammer Games and published by Activision.įor full descriptions and examples, visit our Rules wiki. ![]() Which to my ears anyway places them at least two up from the Kinks, who unless I’m forgetting never did a single cover, at least in the early years, that wasn’t you remind me of a bit from Saturday Night Live, with Laraine Newman as a leather-punk rock critic humorously blasting Elvis Costello (who’d just come out with This Years Model). But their “Heat Wave” (Martha & The Vandellas) and “Bucket T” (Jan & Dean) aren’t bad. And I love me some Stones, so that’s not a shot at you’re right, those Who covers of the Stones were awful so was their “Please, Please, Please,” from James Brown. The Who were much better at being the Who than they were at being the Rolling Stones and I’d even go so far as to say they were better at being the Who then the Stones were at being the Stones. Far, far worse than any crime Mick may have committed against a Mars bar (and I’m not saying he did). Fortunately, the Mick ‘n’ Keef were released relatively quickly, but not before we were subjected to the Who’s single covering “Last Time” and “Under My Thumb”, both of which I think technically qualify as crimes against humanity. Pete Townshend loved the Rolling Stones and kinda wanted to be them and took Keef and Mick’s jailing in 1967 as an excuse to vow not to release anything other than Stones’ covers until the Rolling Stone Two were released. ![]() Speaking of groups who were better at doing original stuff than covers, I think the Who rival the Kinks for best exemplar. ![]() Like “Louie, Louie”, just slightly stabbier. I can’t “da-dum” the guitar in “I Can’t Explain” because I hear it as a series of “DANT”s, even though I’m aware that “DANT” has not (yet) achieved the same status as Technical Musical Term as “da” or “dum”. If they only have two, they feel unfinished-and this is why both Lennon’s and McCartney’s solo stuff is so frequently unsatisfying they didn’t have the other guy to suggest the third bit, the “release” that sets off the other stuff. I’ve always had a pet theory, expressed to nobody but my wife, that truly great pop songs have to have three distinct pieces, each arresting on their own, but fitting together. Then the “middle eight”–the shouty bit, followed by rave-up call-and-response, then back to the melody. Just for comparison’s sake, here’s the Raspberries “Go All the Way”:ĭig that impossibly crunchy guitar…that dissolves into an arrangement so sugary it’s pre-Beatles, more like Beach Boys. I assumed we’d get to Nuggets when I posed the question, but to me at least there has to be a significant melody for something to be pop as well as power. The Choir’s “It’s Cold Outside,” from 1966, is essential power pop.Īgree that “Louie Louie” is in the bloodline, but not exactly power pop. IMHO.īut speaking of the overlap, Stiv Bators in 1979 did a cover version of a song called “It’s Cold Outside,” from the short-lived Cleveland group The Choir–whose lead singer, Eric Carmen, of course went on to form Raspberries, probably the greatest power pop group of all time. But otherwise the Kingsmen’s record (based of course on the Richard Berry & The Pharaohs original, which was calypso-flavored R&B from Los Angeles) is pure atavistic garage or proto-punk rock–which often overlaps with power pop, but not here. (They were also covering a lot of the same classic rock ‘n’ roll as the Beatles, like “Too Much Monkey Business” and “Long Tall Sally,” and it’s all freaking terrible the Kinks were only ever good at original material.) If I’m really listening, I see the influence of “Louie” on the British groups as being entirely limited to the fast, savage guitar break. I love “Louie Louie” but I can’t see it as power pop, even though you can hear it in “You Really Got Me,” and even though the Kinks did their own, really, really bad, version of it. You could also make an argument that some of that first heavy metal is basically just “Ticket to Ride” slowed way, way down, and sluiced through with blues but I don’t know why you’d want to. That still sounds plausible to me, though anyone can come up with “heavy” records predating those the point is 1968 seems like an agglomeration point, the year a real genre was born. The narrative has usually been that heavy metal started sometime in 1968, the year when Blue Cheer released Vincebus Eruptum Iron Butterfly blessed us with “In-a-Gadda-Da-Vida” Steppenwolf released their first two albums and Jimmy Page, who’d briefly marshaled the remnants of the old Yardbirds as the New Yardbirds, formed Led Zeppelin. But who cares, I find it every bit as dynamite today as I did on first hearing it, when it was less than a decade old I can only imagine that makes it as dynamite today, or very nearly so, as it was the day it was released. But it was far from the first power popper, and so has no real “pioneering” placement. “Ticket to Ride” is absolutely power pop, in fact it’s still a definitive example. Information resource for pilgrims see information=*ĭon't forget mapping the amenities ( shelter, fountain, drinking water, bench, toilets, pharmacy. Main churches along the way or at stages where are services for pilgrims. Rottenburg (JRR)Įach way must be a relation according to the following example : Jakobswanderweg Odenwald, Main- und Taubertal (JMT) Waiting for a super-relation, Projekt_Jakobsweg see also Ĭhemin du Piémont, at Saint-Bertrand-de-Comminges Waiting for a super-relation, Projekt_Jakobsweg a small group of people from Vidzemes University (Latvia) is interested to walk this Camino in Latvia country ans signpost with traditional yellow arrows. Not related information of the cities where is crossing. Ancient pilgrim way to Santiago de Compostela. (Meuse River's way) via Belgium ( Liège, Huy, Namur)Īachen - Liège - Huy - Namur - Reims - VézelayĬross the Baltic States. Superrelation containg all branches in CzechiaĪlicante - Orito - Petrer - Villena - Yecla - Montealegre del Castillo - Pétrola - Albacete - La Roda - Minaya - El Toboso - La Puebla de Almoradiel - Tembleque - Almonacid de Toledo - Burguillos de Toledo - Toledo - Novés - Escalona - Cadalso de los Vidrios - Cebreros - San Bartolomé de Pinares - Ávila - Gotarrendura - Arévalo - Medina del Campo - Tordesillas - Mota del Marqués - Villalpando - Benavente.Ĭamino de Santiago del Azahar (por Jumilla) Lisboa - Coimbra - Oporto - Valenca do Minho - Tui - Pontevedra - Padrón - Santiago Oviedo - Grado - Salas - Tineo - Pola de Allande - La Mesa - Grandas de Salime - Fonsagrada - Cadavo Baleira - Lugo - San Román de Retorta - Melide ![]() Puente la Reina - Estella - Los Arcos - Torres del Río - Logroño - Navarrete - Nájera - Santo Domingo de la Calzada - San Juan de Ortega - Burgos - Castrojeriz - Frómista - Villalcazar de Sirga - Carrión de los Condes - Sahagún - Mansilla de las Mulas - León - Hospital de Órbigo - Astorga - Rabanal del Camino - Foncebadón - Ponferrada - Villafranca del Bierzo - O Cebreiro - Triacastela - Samos - Sarria - Portomarín - Palas de Rei - Arzúa - Santiago de Compostela ![]() Paris - Orléans - Cléry St André - Tours - Châtellerault - Poitiers - Melle - Aulnay - St Jean d'Angeli - Saintes - Pons - Blaye - Bordeaux - Belin-Belier - Saugnacq-et-Muret - Vieux-Richet - St Paul-les-Dax - Sorde-l'Abbaye - Sauveterre-de-Béarn - Saint-PalaisĪrles - St Gilles - Montpellier - St Guilhem le Désert - Lodève - Le Bousquet d'Orb - Castres - Toulouse - Gimont - Auch - Barran - Montesquiou - St Christaud - Maubourguet - Morlaàs - Lescar - Oloron-Sainte-Marie - Sarrance - Lescun - Borce - Col du SomportĪt the moment mapped as Camino francés, I think the "navarro" is artificial.Ĭol du Somport - Canfranc - Jaca - Sangüesa - Monreal - Eunate - Obanos - Puente la Reina Vézelay - Bazoches - Nevers - St Pierre-le-Moûtier - St Amand-Montrond - Neuvy-St-Sépulcre - Eguzon - La Souterraine - Bénévent-l'Abbaye - St Léonard de Noblat - Limoges - Châlus - Thiviers - Périgueux - Bergerac - Duras - Monségur - La Réole - Bazas - Roquefort - Saint-Pierre-du-Mont - Saint-Sever - Hagetmau - Sault-de-Navailles - Orthez - Sauveterre-de-Béarn - Saint-Palais - Ostabat, Stèle de Gibraltar Le Puy - Saugues - Aubrac - St Côme-d'Olt - Espalion - Estaing - Golinhac - Conques - Figeac - Salvagnac-Cajarc - Cahors - Montcuq - Lauzerte - Moissac - Lectoure - La Romieu - Condom - Larressingle - Eauze - Nogaro - Aires-sur-l'Adour - Navarrenx - Ostabat, Stèle de Gibraltar - Saint-Jean-Pied-de-Port - Puerto de Ibañeta - Roncesvalles.Īt Ostabat, Stèle de Gibraltar Ostabat, Stèle de Gibraltar ![]()
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